This captures it concisely. There is years and years of experience lighting things to make them look good in the theatre. There is also years of experience in lighting things to make them look good on video. Unfortunately the video lighting people and the cinema lighting people aren't the same people.
On a related note, I saw a clip of Patton running on a television that was doing active motion compensation filtering. It made the movie look like it was shot on video, and in that mode the various prop items stood out. In one scene the jeep in the background, and the background in general, is clearly painted on a flat surface. Without the motion compensation on that jeep looked like it could be a real jeep in the scene. Very weird effect.
I have a sibling who seems to have, somehow, adjusted. Probably out of bias: He just dropped $1600 on that fancy 240hz TV. This is just the new new thing. I HATE watching movies at his house. It ruins them.
On a related note, I saw a clip of Patton running on a television that was doing active motion compensation filtering. It made the movie look like it was shot on video, and in that mode the various prop items stood out. In one scene the jeep in the background, and the background in general, is clearly painted on a flat surface. Without the motion compensation on that jeep looked like it could be a real jeep in the scene. Very weird effect.